“Day and night, you’ve done me wrong.
Left me captured and aching my tender heart breaking.
this pain has lasted so long.”
“Day and night, you’ve done me wrong.
So much is happening. My music has been re-released on Cinderella Records, Sony Entertainment (Germany) and my new publishing company is set, O’Mally/Tabitha Publishing. Stay tuned for more fun and exciting changes!Read more "It’s a New Day!"
It took me over a year to be able to pick up my guitar and close to 18 months before I could eek out a tune again. Painting helped make me whole. It helped me feel the vibrancy and vigor of celebrating life and when I did finally find my way back to my voice, it was there as strong as ever, ready to rock and roll.Read more "At the Intersection of Art and Music"
Return to gratitude as frequently as possible. Gratitude expands the heart and opens possibilities whereas resentment, frustration and discontent block creative flow.Read more "Tips for Musicians Who Work Day Jobs"
Carey Sewald played Ani Difranco’s, “Both Hands” that night and that’s one of my favorite songs of Ani’s so I wanted to capture just a touch of that element as well. And finally, another local songwriter, Allison Hallenbeck recently wrote a song with lyrics that impressed me so much I practically fell out of my chair. So I thought of Allison and her lyric effectiveness as I pulled this together.Read more "This Ain’t Working Anymore…. ♪♫♪♫"
There’s a girl from Kentucky, with dreams as big as the blue sky.
She was raised to stand strong and tall, she was taught that she could fly and have it all.
Flaming needles prick the darkness, hosed down halls that house the heartless, two pills in a paper cup, liquid soul, drink it up.
The Institution describes the cognitive dissonance I feel in my day job. It doesn’t even matter what the day job, so it’s not tied to my current organization of employment. I know I’m not the only one….Read more "The Institution"
“Free” represents the deep unabating desire we have to reach self actualization and fulfillment. That’s really the American Dream is it not?Read more "Free"
Relax, fall back. retreat, do some easy ooohs and gentle well placed eeees – resist the temptation to panic and consider your antihistamines and environment. Listen to the people around you. So many of the workers in my office have raspy sounding voices at the moment and my best buddy told me she couldn’t even sing the hymns in church on Sunday. So I know it’s related to the environment and to rely on my understanding of my instrument and careful technique.Read more "Singing in Sacramento’s Spring"
The way he turns a phrase will catch you off guard and open your heart before you’ve realized what’s happened and then here comes String Theory with a sweeping line to lift you out of the mechanics of the lyrics and into the job that music is meant to do – move you to another level, another hemisphere, another view.Read more "David Houston and String Theory"
Now nothing in songwriting is purely original. Most of us stick to the Western scale system and use I, IV, V as the root of our music. Different formula’s for different styles but the fundamental platform in which we write a song has been an established paradigm for years. So then what’s the problem? The business wants Mimicry, repetition and for you to make it sound familiar…Read more "Blurred Lines in the Music Business (Mimicry and Risk Aversion)"
http://kallyomally.bandcamp.com/album/kally-omallys-wild-west-medicine-show It’s a wild ride through falling barstools, shady medicine men, a hotel with a phone that doesn’t work and some transition easing buorbon. I’ll be announcing the CD release show here shortly and will have the physical copies delivered early next week. If you would like a physical copy, send me an email and I’ll get one to you via mail.Read more "The Wild West Medicine Show"
we started talking about Kentucky and she said, “Oh, what I wouldn’t give for some KY bourbon. Just a taste would be sooo good.” and I said, “Granny, I can take care of that for you right now. There’s no good reason why you can’t have yourself a little swig of bourbon if you want it.” You could see her eyes just light up at the thought and then she said, “Oh, no…no. I just couldn’t,” “Yes, Granny, yes, you can. It’ll only take me a moment to run to a package store and get you some!” She refused. It was a funny moment that stuck with me. So this song is for her.Read more "Bourbon on my Deathbed"
When I wrote this song, it was with the intent of writing the “complete” country-blues song. It had to have certain elements (I think I even collected a list of these words before finally writing the lyrics), trains, a gun shot, lightning and a shack, red clay roads, Alabama and Memphis, family drama, someone in jail, someone in heaven, a bar, a hotel and a twenty.Read more "Two Days Gone"
“It’s late in the evening, the sun has gone down. The neighborhood is quiet but I hear the sounds.” I spent the weekend working on It’s a Lonely Christmas Without You. I somehow managed to delete my project files and had to recreate it, which was a good opportunity to make some changes […]Read more "Oh Christmas Tree!"
As a songwriter I address a variety of topics, but sometimes I like to keep it light, fun and simple. Life is beautiful so dance!Read more "Dance More!"
I took a few days off from my day job and am wrapping this project my sister from another mother suggested, a song for the Bluegrass Grill. I heard my mother talk about the Bluegrass Grill and how it was a popular meeting place when she was young. I did some investigating and found a menu online and […]Read more "The Bluegrass Grill"
For the orchestration I wanted to create a simple warm sound which I obtained with two alternating cello lines, one plucked and lower and the other a more legato line on top. I wanted crisp clean cymbal sounds, a water dropping type of effect and a simple vocal harmony to reflect the awakening of spring and the fragility and tenderness of this piece.Read more "Civil Twilight"