August 31st, 2018

We’re back at the Goose on Friday night, August 31st and we would love to have you join us.  Gavin Canaan and Ollie Morrish will get things rolling at 9pm and the 8 Tracks and I will be doing some of the new songs from my forthcoming album as well as some of my favorite covers.  You gotta have faith when things get crazy so you can make a little magic or end up just another rolling stone dreaming about your very own Bobby McGee… I’m thrilled to have my sister Ally (Allyson Tretheway) joining us that evening.  She’s got skills!  #rockandrollviolin.  She and I will be back at the Goose in our duo formation, “The O’Mally Sisters: Kally & Ally” on September 15th.   We all look forward to seeing you soon.

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Dance More!

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I took the time to re-edit and remix this project and this is the latest version.

Though I was born in Ashland, Kentucky, I grew up in South Florida where music and dancing is a large part of the culture, salsa dancing in particular and finding a club whose live band has a horn section is a common thing.  Hence my love of horns, Latin rhythms and dancing.

As a songwriter I address a variety of topics, but sometimes I like to keep it light, fun and simple.  Life is beautiful so dance more!

 

The Bluegrass Grill

I took a few days off from my day job and am wrapping this project my sister from another mother suggested, a song for the Bluegrass Grill.  I heard my mother talk about the Bluegrass Grill and how it was a popular meeting place when she was young.  I did some investigating and found a menu online and wrote the lyrics over a few days.  The tune came easily.  The challenge was in writing the parts and figuring out how to convey the idea that cruising to the Bluegrass was a rite of passage for generations of teens.  Thanks to Audrey for the suggestion!  You can listen to it here and look for it on my next CD which I’m working on now…

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It’s a New Day!

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So much is happening.  My music has been re-released on Cinderella Records, Sony Entertainment (Germany) and my new publishing company is set, O’Mally/Tabitha Publishing.

I’ve finished mixing 11 new instrumentals which I’d love to have released by the end of this year.  It will be off to mastering with Professor David Houston in the next few weeks and then I’ll focus on the artwork.

I’ve re-edited the video’s for Easy Money and Texas Rain and am preparing for this Saturday night’s show at Luna’s here in Sacramento, featuring Carey Seward at 8:00, myself at 9:oo and Jenn Rogar at 10 pm.

At the Intersection of Art and Music

Magic happens to artists when we cross into other artistic fields.   I got back into painting after my divorce. The pain of divorce left me feeling as though I might not ever be able to make music again.  It was as if there was no strength left in my diaphragm, like I had been kicked in the gut.  I couldn’t even look at my guitar without feeling slightly ill.

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I was sharing my house with a professional artist friend and he had paints and extra canvasses and encouraged me to get back into it.  As soon as I picked up the brush and started working with the colors and mediums I found myself swimming in that same feeling of timelessness I get from making music.  It’s like a field of potential energy watching color fall onto its body.

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“City on a Tree” and “City Kitty”

It took me over a year to be able to pick up my guitar and close to 18 months before I could eek out a tune again. Painting helped make me whole.  It helped me feel the vibrancy and vigor of celebrating life and when I did finally find my way back to my voice, it was there as strong as ever, ready to rock and roll.

Dancing Ladies 1 & 2
Dancing Ladies 1 & 2

My paintings will be installed in Luna’s Cafe and Juice Bar for the months of August and September, 1414 N Street, Sacramento.  I’ll be performing in two separate shows those months, August 22nd and September 12th.  I look forward to meeting you!

P.S.  A Shout Out to the amazing Dr. Huong Bach (UC Davis) for reminding me that the heart heals on it’s own time.

The whole collection
The whole collection

Tips for Musicians Who Work Day Jobs

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Tips for musicians who work day jobs:

1. Return to gratitude as frequently as possible.  Gratitude expands the heart and opens possibilities whereas resentment, frustration and discontent block creative flow.
2. Downplay gossip, it eats the soul and fuels discontent so avoid it at all costs.
3. Find a couple of good friend coworkers who appreciate all of your talents and your super hard working nature.  This is especially important if they make you laugh or bring out your silly side.
4. Try to catalog the funny office moments that may fuel or spark a song (Johnny with the weird gesticulations).  There’s a ton of great relating examples in the workplace.  What can be culled from those lessons and applied towards your craft?
5. Know that you’re setting a powerful example for your child (if you have children) as a responsible parent who remains dedicated to the craft.
6. Know that people in the community respect you.  Most people give up their dream along the way but you have found a way to contribute to and work with society without sacrificing your artistic integrity.
7. Find the aspects of the job you do like and try to grow those areas and minimize the annoyances if possible.
8. Return to number one.
9. Fake it til you make it.
10. Retire as soon as possible.  Focus on your plan for the future and manifesting your personal goals.

I have enormous respect for musicians who continue to do what they’ve got to do to support their families. Ultimately I’d like to see a better balance and monetary infusion for artists, in the form of generous grants.., something! Until then you’re a fierce soldier of your craft!

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Featured image used under a creative commons 2.0 license from Flickr
Photo by Paul Hudson 

The Institution

The struggle of all working artists who haven’t broken through the surface of their craft’s domain is the day job.   All those years of music education to be a secretary… and have a bed to sleep in, a pot to piss in, and maybe with enough hard work, you’ll manage to break through, but at least you won’t be sleeping on the street somewhere dreaming about the would have could haves.

Some dreams die easily.  I’m not going to be a famous dancer, doctor or a National Geographic  investigative journalist which were dreams that lit up like a firefly and burned out fast.  But I do have a particular set of skills that have grown into an ability from a teeny tiny little mustard seed and that ability continues to carry the root of who I am and what I have to offer.  That’s where this song comes from.

Flaming needles prick the darkness, hosed down halls that house the heartless, two pills in a paper cup, liquid soul, drink it up.

The Institution describes the cognitive dissonance I feel in my day job.  It doesn’t even matter what the day job, so it’s not tied to my current organization of employment.  I know I’m not the only one….