Civil Twilight

This is my first go at producing for another songwriter.  I met Carey Seward at the Fox and Goose in Sacramento.  Carey’s from Alaska and I was immediately struck with the quality of her songwriting and the uniqueness of her material.  She was only here for a short while so we chose to record two songs, Civil Twilight and So You’ve Been Told.

Civil Twilight was a term I’d never heard before.  It’s “is the brightest phase of twilight, when the sun is less than 6° below the horizon.”  It’s legal to drive without your headlights on in civil twilight.

Lyrics:

Winter sure was long and dark I felt the freeze in every part
fire burned down to the weakest little ember.
You can see right through me caving in and I wonder
what happened to all my friends
I’ve been down that hole since last November.

But I can hear the river ice a breaking
smash me up and carry me away
Icy water naked freezing shaking
with empty hands and debts I just can’t pay

Well the sun has turned it up to civil twilight
the dark ain’t gone, just waiting in the hall
so let summer burn it off, no I really don’t want to talk.
we can leave the lights off til the fall.

Verse2
Biking to the riverside the sun so bright nowhere to hide
we both are plump and pale and scared of other
supposed to have something to say but my mind is blank I’m not okay
I need meat and fire and beer and all my brothers.

For the orchestration I wanted to create a simple warm sound which I obtained with two alternating cello lines, one plucked and lower and the other a more legato line on top.  I wanted crisp clean cymbal sounds, a water dropping type of effect and a simple vocal harmony to reflect the awakening of spring and the fragility and tenderness of this piece.  I kept the bass sweet and simple as well.

Producing for another artist was a wonderful experience and gives me some options for what to do with myself further down the road.

Thanks Carey!
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Carey on Soundcloud

Carey on Bandcamp

Carey on Itunes

Indie Band Guru – Review of the Wild West Medicine Show

http://indiebandguru.com/kally-omally-a-testament-to-having-a-musical-passion-even-with-a-day-job/

I love this review.  This guy gets me.  Part of me had to do this project just to see if I could and what I would learn along the way.  I’ve never believed in being a “starving” artist, or that you have to “suffer” for your craft.  My parents were both cops. They worked incredibly long hours often picking up additional off duty jobs to help pay for the extra’s.  They weren’t particularly musical either.  I’m pretty sure they saw that my head was in the clouds early on and perhaps that worried them.

When I was sixteen I asked them if I could run rickshaws in Coconut Grove (I thought it would be a great way to make money and lose weight).  After a resounding NO from the parental units I opted for a summer job at JC Penney’s.  After coming back from the military I started going to school at Miami Dade Community College on the Homestead Campus and ended up getting a job as a dispatcher for the Florida Highway Patrol.

At the time I was studying classical music and it was not uncommon for me to be humming or singing softly in the dispatch room in between calls, especially when I worked midnights and the shift was slow.

Slow and steady, with the full intent of improving along the way is how I approach my craft.

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